SYTYCD Season 7 – Top 7 – A Peak Night

in TV

Another week and another injury. Clearly the dancers on So You Think You Can Dance this season are going for it more than ever before. This week Ashley got hurt during Monday rehearsals and was didn’t dance. Her injury was bad enough that she wasn’t even in the audience last night. As with Alex last week, she’s automatically in the bottom three. It’s going to be a difficult choice on the other two this week because everyone stepped up their game and everyone peaked in one way or another.

I loved how engaged Cat was last night. She’s been talking more, and giving more opinions, this season than ever before and I like this change. She’s an advocate for the dancers, she’s engaging the All Stars more when they are standing next to the dancers and offering support to them. I love her even more this season than I already did.

I hope they keep the trend of having the boys dance together. It’s happened a few times this season with great success and last night proved that even more with Jose/Dominic and Kent/Neil pairings. Of course the Alex/Twitch combination from a few weeks ago will stand as one of the best dances ever on SYTYCD. They need to pair up the girls too, which is probably not going to happen this season since there are so few left at this point.

Like last week, each dancer performed with an All Star they’d not previously danced with and then performed with another contestant. Here’s my top three from last night:

  • Jose (Tabitha & Napoleon D’uomo hip hop). Jose in his style is smoking’ hot. This breakin’ style hip hop was stellar. The moves were fierce and complex, especially Jose going up in the air and landing on Dominic’s feet. The bit with the sword seemed like an afterthought, but the battle to get to it was very cool. Note: This was supposed to be Jose’s dance with another competitor, but with the odd number of contestants, he was paired with an All Star.
  • Robert (Travis Wall contemporary). This was dedicated to Travis’ mom as she struggles with illness. Robert and Allison danced the beautiful choreography perfectly. Travis captured what it’s like to want to fix someone and this dance will stand with classics like Mia’s “Addiction” and Tyce’s “Breast Cancer” from seasons past.
  • Lauren (Tiana Liufau Tahitian). Here was something completely new for SYTYCD and it wasn’t the kiss of death that some ethnic dances can be (like the Russian folk dance). This was strong, aggressive and down right hot. I have to admit that this was less about Lauren and more about Mark because he was looking oh so good.

Here’s a look at the rest of last night’s performances, in the order in which they appeared:

  • AdéChiké (Liz Lira salsa). This was a little to posed sometimes. It was as if they had to pause for a moment to get to the next move so that affected the musicality a bit. Overall though AdéChiké and Anya did a great job here and AdéChiké seemed to find the right performance mode for this super complex salsa.
  • Jose (Joey Dowling Boradway). The judges came down hard on Jose here saying that is lack of training showed here because his personality wasn’t evident. Well, his personality wasn’t evident because it wasn’t appropriate for the piece. I thought he nailed the performance aspect and while his technique was flawed at times it was still quite well done. This was far from the train wreck the judges made it sound like.
  • Billy (Louis Van Amstel jive). Louis put together a super hot rock and roll routine. I loved how he used the Meatloaf duet to let Billy and Anya really play off each other. Billy nailed the performance here too, really finding the connection with Anya. It was everything he should’ve had in the “Footloose” performance in week 1.
  • Kent (Tyce Diorio Broadway). The judges comments confused me here. Neil outdanced Kent every step of the way here. Kent did a perfectly fine job, but this number belonged to Neil. It looked like Kent just wasn’t dancing as big as his All Star partner. It was a good routine, one of Tyce’s better Broadway numbers, but Kent needed to leave more on the floor.
  • Lauren & Billy (Many Moore jazz). The choreography let these two down a bit. For a story about shoes with magic powers, neither Billy or Lauren were doing things that were too complex. They did, however, dance the routine great and infused it with a lot of fun. A solid “performance” number from them both and more proof that Billy is growing on the performance side very nicely.
  • Kent & AdéChiké (Dee Caspray contemporary) Few things can be more beautiful and powerful than two male dancers doing contemporary. In many week’s this would have made my top three, but the fact that it wasn’t there doesn’t mean that I didn’t love this dance. It fit Kent and AdéChiké very well and they nailed the complex choreography where they chairs were additional partners. I didn’t quite get the “story” side of it, but the piece was wonderful nonetheless.
  • Robert (Doriana Sanches disco). Robert was supposed to be with Ashley but with her injury he danced with All Star Kathryn for this number that felt like I was watching Dance Fever…and that was a very good thing. This number was a great closing one for the show with the high energy and fun. Robert rocked the performance and this, along with his earlier contemporary piece, should keep him safe this week.

It’s hard to pick two to join Ashley in the bottom three this week. I’d love to see AdéChiké there, of course. I hope Jose’s fan base keep him out of danger since the judges were extra hard on him with the Broadway number. I’m thinking we’re going to see previous bottom three people, like Robert, Billy or Lauren. Everyone hit high notes this week, so we’re getting to the point where the cuts really hurt.

Results update: And there goes Ashley since she needs more time to heal. As usual I’m wildly disappointed that AdéChiké escapes the bottom since there are dancers far better and more engaging than him. I wasn’t so surprised about Jose given the Broadway number last night but was sad to find Billy there since he really had a great night.

I loved the Alvin Ailey performance. It was an edgier number than I’m used to from them and I loved it. Twitch and Comfort together again was also a treat.

I’m psyched the Season 7 tour is coming to Radio City. We are definitely going. They said it’s going to have dancers from the All-Stars and Seasons 6 and 7, so it’s going to be fab!

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Something for Nothing by Connie Bailey

in Books

Something for Nothing by Connie Bailey was an unexpected find from Dreamspinner Press. I don’t often think of this publisher as taking on young adult genre material, but this book comes very close. The only thing separating it from true YA for me is the sex because it’s more than a school or public library would be likely to put on its shelves.

The story centers on Alvaro Torres, a high school senior who has been labeled as a troublemaker but in reality he’s trying to make something of himself while taking care of his mother who had a breakdown after Alvaro’s father bailed on them. Alvaro has tight friends in Leo and Kiki and he takes newcomer Cande under his wing when Cande’s first days at school are anything but easygoing.

As Alvaro and Cande get to know each other more they start to very slowly and cautiously fall in love. It takes these two a while to get past their baggage–and Cande’s got even more than Alvaro does. The boys, along with a younger tag-along sidekick Eligio, are rehearsing for a major talent competition hoping that it might be a way out of the dead-end jobs their teachers envision for them. The back and forth between the love story, the core friendships and the competition is well balanced and there are a few surprising and satisfying twists to the plot as well.

The lone issue I have with Something for Nothing is that Alvaro and Cande never discuss their relationship with Eligio. Alvaro, Cande, Leo and Kiki all say that Eligio needs to be talked to because he has some homophobic tendencies that need to be corrected. Unfortunately, this never plays out in the book. There are a couple hints in the epilogue that the discussion probably happened in the passing years but I’d have rather seen this play itself out, especially since such a point was made that Eligio needed to be talked to.

Overall this was a very satisfying book and was an enjoyable read, taking it either as a straight forward m/m romance or as a ya-style book that has more erotic twist than most.

Up next: Returning to Uncorked by Andrew Grey.

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SYTYCD Season 7 – Top 11 – Alex Sets the Standard

in TV

So You Think You Can Dance Season 7 started competition last night with a live performance show instead of a pre-taped one. It was clear from outset it was live as Cat introduced Jose as Ade and we were treated to some sloppy camera work during the dancer’s introductions. Luckily that was the end of the issues and the rest of the show seemed to go off without a hitch. I am sad that they don’t seem to be adding Season 6 highlights into the opening titles this year. Last Thursday Season 5 dances were removed, but generic dance stuff is in its place rather than Season 6 dances.

I love Mia Michaels on the judging panel. The energy and insight she brought to the table was fabulous. Her and Adam in particularly are a wonderful combination. I was disappointed that the choreographers weren’t at the table like they were in last week’s intro show. I liked the insight last week they provided.

Let’s get into this week’s dances. On the whole the show was great, but there was a lack of performance in several dances. The judges hit it on the head saying that there was a lot of great technique but some of the dancers just didn’t bring the spark of performance and that’s a shame because it adds so much no matter the style.

Here’s my take on the dances, beginning with my top three for the night:

  • Alex (Sonya Tayeh contemporary): Absolutely amazing. Sonya choreographed stunning movement and Alex, along with his All-Star Allison, were extraordinary. The piece, set to Jeff Buckley’s version of “Hallelujah,” was powerful, technically stunning and packed with emotion and chemistry between the two dancers. It’s among the most brilliant pieces ever done on SYTYCD and with it Alex has set the bar for the performance level for this season and seasons to come.
  • Robert (Sean Cheesman African Jazz): I didn’t see this coming from Robert, who comes off as such an adorable goofball. He and Courtney looked like they had a joy dancing this number and the movements were strong and created some great pictures as they moved across the stage. My only gripe is I wish the music had been more powerful to accompany the movement.
  • Christina (Sonya Tayeh Jazz): Sonya was on fire this week as she crafted a quirky jazz dance for Christina, who had the benefit of All-Star Mark (who specializes in quirky). Two things I loved here: You forgot that Christina was a salsa dancer as she embraced this style and these two, despite the quirky movements, made the whole number into one gorgeous fluid piece.

The rest of the recap is now in the order the dances were performed:

  • Billy (Tyce Diorio Broadway): I was very mixed on this piece. I’m not always a fan of Tyce’s Broadway choreography and this piece was one of those for me. It felt very rah-rah cheerleaderish and I don’t feel it captured Billy’s strengths. That said, I did enjoy seeing Billy dance completely outside his style and at a rapid pace, which he will certainly need if he ever pulls a salsa, jive or any of the other speedy dances.
  • Jose (Tabitha & Napoleon D’uomo Hip Hop): This was a good number, but I didn’t feel that Jose really found his inner fierceness, especially when compared to Comfort who rocked her performance. The choreography was outstanding and I liked the inclusion of the jumps and holds which were well done.
  • AdéChiké (Travis Wall Jazz): There was a serious lack of chemistry and performance here. All-Star Kathryn gave everything she had from her movements and commit to the character, but AdéChiké was mostly getting through the moves. He did the moves great, but it could’ve been so much more if he had connected with the character and Kathryn.
  • Melinda (Tony Meredith & Melanie Lapatin Jive): I disagree with the judges here. I thought this dance was quite good. Yes, Melinda had some technical issues getting the Jive right, but she sold it and overall the entire performance package came off great. I thought occasionally her face looked more “nervous/scared” than “fun” but I enjoyed this a lot.
  • Alexie (Tabitha & Napoleon D’uomo Hip Hop): This was a long way away from Alexie’s jazz/contemporary style and it looked like she was trying to perform the hip hop as if it was jazz. It kind of worked here because of the more lyrical feel of the choreography. However, you only had to look at Twitch to see how it should be done to know she wasn’t doing it quite right.
  • Lauren (Mandy Moore Pop Jazz) This was disappointing. Lauren had a strong partner in Ade and yet this fun piece of choreography fell a little flat because there was no chemistry between them and no real performance from Lauren outside of some mugging to the audience.
  • Kent (Tony Meredith & Melanie Lapatin Cha Cha) How adorable is Kent? So far outside his style and yet he danced this so well and kept up with his All-Star partner Anya. I thought his hands were occasionally out of whack (but maybe I’m wrong about that because the judges didn’t say anything about that). This was fun and it had great chemistry.
  • Ashley (Tyce Diorio Contemporary) This was the disappointment of the night. This number should have been as goosebump worthy as Alex’s but it fell flat because Ashely only brought technique to the dance floor and left all of the emotional content elsewhere.

After all of that, I would put Ashely, Lauren and AdéChiké in the bottom three and would send Ashley home.

Results show update: Well I don’t know what America was doing voting for people who at least gave passable performances while keeping disappointments like Ashely and AdéChiké firmly in the competition. I was sad to find Melinda and Christina in the bottom three. Alexie wasn’t a total surprise and I’m okay with her exiting under the circumstances.

Meanwhile, it was awesome to see Come Fly Away and Usher. I could’ve lived with out Justin Bieber though…snooze.

Two – to – one

in Hockey

It was great to be back on the ice yesterday after a week on the injured list courtesy of the Memorial Day bike accident. In a coincidence last night both games had 2-1 outcomes with one being a loss in OT and the other coming out a win.

The Wizards started the afternoon going against the Tsunami. We always get a great game with theTsunami–always fun, always tough, always close. Unfortuantley, Tsunami came out on top yesterday in overtime. We scored first but in the third Tsunami scored to tie the game up. That was frustrating because I was on the ice for that goal we just couldn’t get it stopped. It was disappointing. Even more disappointing was that they got a second goal in OT.

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SYTYCD: Season 7 – Top 11

in TV

It’s summer and So You Think You Can Dance is back with a new season–one that looks like it is going to be incredible.

The rules have changed this season: there’s no top 20. It’s a top 11 (which was supposed to be a top 10, but luckily they expanded it or there was going to be a revolt). There’s also the All Stars who will partner and mentor to the contestants each week. Check out the All Stars:Twitch, Kathryn, Allison, Neil, Ade, Lauren, Mark, Dominic, Courtney, Anya, Pasha and Comfort

The rehearsals and Vegas week were excellent, especially since they were done in a few two hour episodes instead of dragging out for weeks like they did in the fall. I will say I didn’t like the way they travelled around to deliver the news. That took way too long and was a little boring. Just do it in the studio. Overall I love the top 11 too. The one swap I’d make is AdéChiké for Anthony. Anthony rocked Vegas and, even while in pain, got stunning praise from the judges. I don’t understand how he was not picked. I’m really happy that both Billy and Alex made it since they were favorites in the past who just missed being on the show.

Here’s the top 11:  Lauren, Jose, Billy, AdéChiké, Melinda, Christina, Robert, Alex, Kent, Ashley, Alexie

The Top 11 were introduced tonight in a show where they got to dance in their own styles and not be judges. Wade and Amanda Robson choreographed a stunning opening number featuring all the All Stars and all of the top 11. Based on Alice in Wonderland, it showcased everyone awesomely. After that, the dancers were split up into genres. Being the only b-boy, Jose got to throw down with the great Twitch,Dominic and Comfort in an excellent Tabitha and Napoleon piece. Kent and Lauren got to do a Travis Wall contemporary piece that was beautiful and moving.

Mia Michaels made her choreography  return by working with Billy, Alex and Ade in a magical piece about time. I’m so glad she’s back on the show. It’s going to be great with her creating pieces and serving as a judge. Welcome back, Mia!

The other contempary folks: AdéChiké, Robert and Ashley got to work with Sonya for a delightful lyrical jazz piece. As the sole ballroom contestant, Christina performed with Anya and Pasha. I thought this number was a little weird since ballroom isn’t really made for odd numbers. That didn’t stop it from being fun to watch though.

It’s going to be a kick-ass season. I’m torn about who I think is going to win because everyone is so incredible. I think all of the guys are definite contenders and among the girls I love Lauren, Melinda and Ashely. Next week the competition and voting starts. It’s going to be fun!

Bottled Up by Andrew Grey

in Books

Bottled Up by Andrew Grey takes place in the same neighborhood as The Best Revenge, which I read earlier this year. It was wonderful to meet up with Tyler, Mark and Steve from the previous book as well as police officer Sam Davis who plays more of a central role in this book.

The main character here is Sean Bielecki, who recently opened up a wine store on the same street as Tyler’s antique store. As the book opens, Sean breaks up a fight behind his store between a large man who is trying to take advantage of a teenager. It turns out the teenager, Bobby, has been living on the street for weeks after having been through several foster homes. Sean helps Bobby by giving him a place to sleep for the night and decides in pretty short order that he wants to adopt the teen so that Bobby won’t be stuck on the streets anymore.

As all of this happens, Sean is breaking up with his smarmy boyfriend Ted and that gives officer Sam a chance to move in after months of wanting to ask Sean out. Sean has baggage from his past, which factors into why he initially wants to help Bobby, but the baggage also makes it hard for him to get close with Sam too. I don’t want to say too much else about the plot because the twists and turns in the plot are delightful. Grey packs a lot of punch in these 216 pages as a father/son relationship starts, a boyfriend relationship starts and a whole lot of extra drama gets stirred up with Sean’s icky ex as well as the man who tried to hurt Bobby.

As much as I enjoyed The Best Revenge, this book topped it with a gripping and suspense-filled plot. In fact the plot might have been too good as there were times I wanted to rush past some of the bedroom scenes to get back to the action. This is not a bad thing it all, it’s a testament to how well Grey crafted this story–it’s a true page turner.

Up  next: Uncorked by Andrew Grey. This one jumps forward a few years and focuses on a college-aged Bobby.

Sondheim on Sondheim

in Theatre

Not only does Sondheim on Sondheim feature some of Stephen Sondheim’s most well known works, it also features songs that were cut from his hit shows. Add that to commentary and insight from the man himself culled from recent interviews and from historical archives and you’ve got a show that resembles something between a Sondheim master class and an episode of PBS’ American Masters.

Sondheim on Sondheim is far from a simple revue or a repackaging of songs (as with the case with the 1999′s Putting it Together, which ran for just 101 performances). This show digs into how Sondheim works, who he’s worked with, how songs are put together, taken apart and reassembled. Sondheim lays all this out to the audience via video monitors that are used to great effect as the show’s scenic elements.

There’s also an incredible cast of eight to sing his songs. Headlining are Barbara Cook, who has done many Sondheim shows and concerts, Vanessa Williams, who played the Witch in the 2002 Into the Woods revival and Sondheim newbie Tom Wopat. Add to that Euan Morton, Norm Lewis, Leslie Kritzer, Erin Mackey and Matthew Scott and you’ve got an unbeatable collection of talent to take on this music.

There are some really delightful insights into the shows. Take 1970′s Company, we see how the end of the show morphed from “Multitudes of Amys” to “Happily Ever After” to the show stopper “Being Alive” (wonderfully done here by Norm Lewis). From Gypsy there’s a Mama Rose song cut from Act 2 called “Smile, Girls.” There’s a good reason it’s cut too, it would’ve slowed Act 2 way down…Sondheim tells the audience that and hearing it you know he’s right. From Road Show (which was titled Bounce at one time) we see how a song went from being sung from the older brother to his girlfriend to being sung by the younger brother to his boyfriend.

There are many powerful performances in this show. Tom Wopat was amazingly good in “Epiphany” from Sweeney Todd. Barbara Cook tore my heart out with songs from Passion as well as “Send in the Clowns” from A Little Night Music. Meanwhile, Vanessa Williams was a hoot in a song that was written for the 1978 London version of Follies called “Ah, But Underneath” (you can see this in the video clip below). The ensemble got a great chance to shine with “Something Just Broke” and “The Gun Song” from Assassins.

Sondheim on Sondheim was a wonderful afternoon of music and some great education on one of America’s best songwriters. If you’re in NYC you should see this before it ends its limited (and extended) engagement at the end of the month.

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Fifth Avenue Splat

in Current Events

My luck has been pretty bad the past six months or so. Back in November, I was hit by a bus on 5th Avenue during a bike ride (luckily very little damage to me with that). In March I passed out on a subway platform because I was ill (that did come with some damage).

This past Monday, I was biking down 5th again when I got tripped up by a sneaky pothole. The result: seven stitches in my face (spread across three different locations), two chipped teeth (including re-chipping the one I damaged in March) and a dislocated finger that also required four stitches. My glasses were destroyed in the fall. Further, the bike has been in the shop since the accident getting checked out and repaired so I’ve been off the training regime all week.

This all happened near the end of a really great ride. I pushed at the end of May to roll over 300 bike miles in the month–a month that started with a pretty crappy First Saturday Ride where that 30 miles seemed like it would be the death of me. By the end of the month I was doing much better. This past Friday I did 25.75 miles, which included a lot of hill work in Central Park designed to strengthen my legs. On Monday morning I set out to do 30 and this time I allowed the bike to do the work on the hills instead of me.

I was 25 miles down and was going to easily make the final five when the ride came to a halt. I was moving down a pleasantly uncrowded 5th Avenue when I spotted two steel plates in the street. These plates are common in NYC because they are wherever there are holes in the road because work isn’t complete. They are never flush to the pavement (like they are supposed to be) and are generally a nuisance. Here at 5th &28th there were two, placed about two feet apart. I slowed up and went over the first with no problem. Just as I was about to roll onto the second I saw a pothole at the edge of the plate. There was no where to go… no amount of breaking to do…I figured I was in trouble and I was right.

I flipped over the handlebars and the bike came down on top of me. Five pedestrians jumped to my aid to get me, the bike and my stuff (my odometer, iPod, water bottle and glasses all came dislodged from their places). One of those people went to get a police officer who was a couple blocks away. Someone got me a chair to sit in. Some of this group dispersed as I settled into the chair, but one stayed until the officer got to me. Shortly there after the ambulance arrived and I was off to the Bellevue ER where I hung out for the next six hours. My finger was the big cause for concern because (and here’s the gross part) there was bone exposed. Luckily it was only a dislocation that was visible because of how big the cut was rather than it being broken.

I have to give big kudos to the folks that took care of me. The pedestrians, who I don’t know, were awesome with their quick assistance. The police officer went above and beyond I think. Instead of just having me lock up my bike at 5th and 28th or taking it to his precinct, he brought it in his car to Bellevue and locked it up for me in the ambulance bay. The doctors were all great too. I was mostly tended to by a fourth year medical student who got to practice stitching on me and got to pop my dislocated finger back in under supervision of a senior doctor. I’m glad I was able to provide some good teaching moments because it’s important for new doctors to get their chances to practice.

As of today I got the stitches in my face out (though I still look like I’ve been in a bad fight) and the finger stuff should be cleared up on Monday. That means no hockey this weekend (damn it). I get to pick up my bike tomorrow morning and will likely take it on short, light ride just to make sure all is good. I will have to miss the 40 mile First Saturday Ride tomorrow because I just don’t think it’s a good idea to ride distance without full use of my hands (and I can’t get my hand into my glove with the finger splint). I’ll have to get a couple of 40s in during June.

For May, I did end with 336.13 miles ridden and I’m pretty happy with that since I’m still 3 1/2 months away from the ride.

And hey… now that you’ve read all about this drama… how about helping me out and donating to my ride! It’s easy to do online. Thanks in advance for the help!

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Glee Live with The LXD at Radio City Music Hall

in Music, TV

The cast of Glee and The LXD finished out their tour tonight at Radio City Music Hall (the last of five sold out shows performed there over the past three days).

The show opened with 30 minutes from The LXD, the Legion of Extraordinary Dancers. I’ve been a fan of this troupe since they were introduced on So You Think You Can Dance last year and I jumped at the chance to see them live. Yes, it may get my Gleek card revoked, but I didn’t start scrambling for a ticket until early May when it was announced The LXD was going to be the opening act. It was worth the daily check on Ticketmaster to see this 30 minutes.

The LXD did a some half-dozen numbers showcasing their various members, including Glee’s Harry Shum Jr. whose piece about shoes that could make him move had him going through a number of different styles in just a few minutes. All of these dancers move with such grace, style, fluidity and musicality that I can’t wait to see what they bring online when their dance adventure starts later this year.

Then came the 90 minute Glee set. They opened it up with Journey’s “Don’t Stop Beleivin’” and sang their hearts out through “True Colors,” which was a perfect ending.

Even though I watch the show every week, it was a lot of fun watching the concert with more than 5,000 like minded fans. My favorite was the recreation of the big Lady Gaga “Bad Romance” number, which featured all the fab Gaga-esque costumes. It was also great to hear Chris Colfer and Lea Michele go all out on “Defying Gravity” without Chris having to foul up on the high note.

Jonathan Groff also made a guest appearance to sing “Hello.” It would’ve been cool if he’d done the two Vocal Aderline numbers that were included in the set. We also got a sneak peek at what’s coming for regionals with the new Journey mashup of “Lovin’ Touchin’ Squeezin’” and “Any Way You Want It.”

It was a fantastic evening. I’m thrilled to have experienced The LXD (I hope they do more live stuff because I’d love to see them again) and it was a kick to see the Gleecast do their thing in person.

Sex and the City 2

in Movies

The first Sex and the City film was the perfect companion to one of my favorite TV series of all time. The film allowed each of the four women a moment in the spotlight, allowed a new character (played by Jennifer Hudson) to have a good story and offered up a lot of drama. I laughed a lot, I cried a lot and I left the theater completely satisfied.

I was fearful when I heard there was going to be a sequel. I couldn’t imagine what they could do to equal or better the first. Sadly it would seem the creative team couldn’t figure it out either.

I did enjoy meeting up with the characters again. I laughed quite a lot. But there was really not much story here. Remember back in the 70s and 80s when TV sitcoms went on vacation for sweeps month? That’s essentially what this is–a chance for the girls to get away to a new location, dress up in all kinds of crazy clothes (why, exactly was Samantha dressed up with Adam Lambert shoulder pads?) and not deal too much with their real lives. For me, however, it’s those real life kind of stories that is the core of what makes Sex and the City so good.

There are a few moments of real story — Carrie and Big navigating married life, Miranda figuring out she can get a better career at another firm, Charlotte getting frayed by motherhood. Two vignettes stood out for me: Charlotte and Miranda discussing the good and bad of being a parent and Carrie learning a few things about marriage from Guarau, her hotel butler who spends months at a time away from his wife because of his job.

I thought the movie was 20-30 minutes too long. Just when it seemed like they were about to leave Abu Dhabi they end up in another run around the city because Carrie misplaced her passport. There’s a nice moment at the end of this scene, but I’m not sure it was worth the whole trip since there were several places in the script this moment could’ve been placed just as easily.

I hope there’s a third movie so we have a chance to see these characters back in a hearty, fulfilling movie rather than this piece of fun fluff that leaves me wanting something more substantial for these women.

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