American Ballet Theatre: Romeo & Juliet (2013)
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American Ballet Theatre - une 2013 PlaybillYesterday was a beautiful, tragic day at the ballet as we saw Romeo & Juliet. This was my first time to see ABT do the Shakespeare classic; however, Will saw them do this last season.

The plot of the doomed lovers who end up taking their own lives is well known and there were no plot twists here. What there was were some stellar performances.

I can watch Cory Stearns pretty much do anything. I loved his Romeo. He starts out making mischief with his friends, which escalates into a fight that highlights the family feuding between the Montagues and Capulets. Stearns moves on to fall completely in love with Juliet and then shows the extreme sorrow of her death. He was outstanding, as always, in this role and it was enjoyable watching him go through all the emotions of the role.

Gillian Murphy is also always a delight to watch. Her portrayal of a happy in love Juliet was breathtaking, especially the first act pas de deux where Romeo and Juliet declare their love for each other. Her solos in acts one and two are equally stunning.

Corps member Arron Scott gave a virtuoso performance as Mercuito. Scott had a couple of featured dances in the first two acts and his leg work was amazing. He, and Luis Ribagorda playing Benvolio, injected some nice comedy into the first act as well.

Overall, I very much enjoyed Romeo & Juliet. The choreography was outstanding and the music, composed by Sergei Prokofiev, is some of my favorite that I’ve heard at a ballet.

Here are some pictures of Stearns as Romeo (here Juliet is played by Hee Seo as I could not find any pictures of Murphy).

Stearns & Seo

Stearns &amp Seo

Next week we take a week off from the ballet, but we’ll be back for Sylvia on June 29.

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    Openly Straight by Bill Konigsberg
    Posted by in Books | Tagged , , , ,

    Openly Straight by Bill Konigsberg

    “Straight people don’t have to think, every time they talk, about whether they are coming out. We do. That might be hard, but that’s also why we have to come out. If we don’t, it’s pretty much impossible to have a conversation about anything beyond the weather without lying. We really have no choice, do we.” – Mickey in Openly Straight

    Bill Konigsberg’s new novel Openly Straight has been on my radar for a few months now as a book to read this spring. It just published at the end of May and I devoured it in a little over a week after I received it. The book is simply outstanding.

    This book’s focus is on labels and how labels can become all that we seem to be. Rafe Goldberg wants to get away from his label as “the gay guy” to the point he’s willing to transfer from his high school in Boulder to an all-boys boarding school outside Boston.

    At first, Rafe’s plan works great. He falls in with a diverse group of guys as he joins the soccer team. He feels like he’s making some genuinely good friends along the way. His parents and best friend back home though don’t understand what he’s doing since he’d already had a successful and pretty stress free coming out a few years previously. As Rafe goes through his first semester though, he finds that hiding a part of himself, in the effort to not be labeled, has consequences he hadn’t counted on.

    Bill, who I discovered with his debut novel, Out of the Pocket, in 2009, proved that it was worth the wait for this novel. He’s created such a strong character with Rafe. He’s also given Rafe two ways to express himself. Rafe tells the story as narrator. But an assignment from his writing teacher has him journaling. Through that, Rafe does some fascinating self-exploration that really opens his eyes, and the readers, to why he’s doing what he’s doing. The pacing is also spot on in this book, the tension ratchets up to the point that it felt like I was holding my breath during the last quarter of the book to see how Rafe was going to deal with the situations he created. All I’ll say on the ending is that was extremely satisfying.

    Openly Straight is an amazing exploration of labels. The discussion in writing class where the meanings of “tolerate” and “acceptance” were examined was fascinating and should be something that everyone considers. I’m sure we’ll never get to a place as a society where we don’t feel the urge to label everything about everyone, but certainly how the labels are reacted to is something that needs to change. This novel could be the start of a great dialogue how how labels are dealt with–both for the labelers and the labeled.

    —-

    I’m capping off this post with a personal look back to four years ago. In 2009, shortly after I wrote the review of Out of the Pocket on this site, Bill wrote this on his blog: “Keep an eye on Jeff. I am rooting for him as he moves through the writing/editing process, and not just because he liked the book; he is a genuinely nice guy whom I met at a reading a few weeks back in NY.” I’ve kept this in the back of my mind for years as I’ve moved through my process with Hat Trick (which was back then called Neutral Zone). It meant a lot to get this encouragement. Now as my first novel heads towards publication in September, and Bill has written a second one that is truly extraordinary, I hope the rooting turns out to be deserved.

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      Culture
      Posted by in Books, Current Events | Tagged

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        Paperback Cover of the Week: Jesse: Man of the Streets
        Posted by in Books, Pulp |

        xjesse

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          American Ballet Theatre: Le Corsaire (2013)
          Posted by in Dance, Theatre | Tagged

          American Ballet Theatre - une 2013 PlaybillLe Corsaire, a slightly comedic, very swashbuckling, pirate-based ballet was a favorite last year. With its very powerful male dancing and a second act that’s loaded with virtuous performances it was easy to fall in love with the production.

          This year, American Ballet Theatre has revamped the production with splendid new sets and costumes. In particular with the new sets is a great looking new pirate ship, a cool market bazaar and a gorgeous grotto. The choreography, however, is the same as it was in last year’s production, which was fine by me.

          The show opens and closes on the massive pirate ship. Initially the pirates are coming into port with their load of girls for the pasha to review. At the end of the show, the ship is overtaken in a massive storm, ultimately shipwrecking the young lovers. The ship was impressive, as was the storm effects at the end of the show.

          LaCorsaire Pirate Ship

          We had a stunning cast yesterday afternoon. Ivan Vasiliev as Conrad, the pirate was outstanding in acts one and three (he spends most of the second act captured). Vasiliev does some amazing leg work as he leaps through the air, making him awesome to watch. Daniil Simkin, in the very flashy role of Ali the slave, continues to be impressive every time I see him. His solos and pairings in the second act were incredible. Herman Cornejo as Lankendem, the man who falls in love with Medora and saves her from the pasha’s harem, was powerful as always. His second act pas de deux with Natalia Osipova as Medora was beautiful.

          Here are some additional pictures from the new production, starting with Natalia Osipova in the third act’s Jardin Anime. (The other images do not feature the cast we saw yesterday afternoon).

          LaCorsaire-NataliaOsipova

          LaCorsaire_Act2

          Veronika_Part_and_Cory_Stearns_in_Le_Corsaire._Photo_by_Fabrizio_Ferri.___2013_American_Ballet_Theatre.

          Next week we see Romeo and Juliet.

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            Hot Guys Reading Books
            Posted by in Books, Hot Guys |

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            The original Hot Guys Reading Books site has reinvented itself as EverybodyReadingBooks. Check it out.

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              Grace
              Posted by in Inspiration | Tagged

              The Digital revolution is destroying the industrial one. Compliant cogs in efficient factories race to the bottom, seeking to be ever faster and ever cheaper. It’s a race we can’t win, one that deadens us and cheapens our work.

              The alternative is to strip away the insulation we carry around like a suit of armor, to open ourselves to the possibility of making connections, giving gifts and creating art. I call this posture a graceful one.

              It’s our birthright to be graceful. The world has just made it possible for you to take this opportunity and make something of it. I hope you will.

              - from Graceful by Seth Godin

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